Home » Hollywood 2.0 » written by Pizzolo » Currently Reading:

10s & 1s: Not Getting Bad Reviews? Try Harder.

October 15, 2009 Hollywood 2.0, written by Pizzolo No Comments

If there’s one thing I hate about being on the supply side of this business, it’s reviews. When it comes to reviews about my personal productions, I can’t really complain because I’m such a snarky, sarcastic prick that my karma is a trainwreck and I deserve anything that can be thrown at me. But some of our filmmakers and performers are really nice people who simply don’t deserve the beatings they take in reviews, user comments, blogs, etc. And they all read every single post because they all have themselves on Google Alerts these days… it used to be weirdly narcissistic to Google yourself, now you need a Google Alert just to keep track of yourself. So even if a blogger has no readership at all and is just venting his spleen for the fuck of it, his one reader will be the person he’s tearing to pieces. It’d be awful if it wasn’t so downright hilarious.

I’ll give you an example of how things can go awry very quickly. We put out fitness videos with indie rock music playing in sync with the workouts. It was a clever idea and people really dig them. At first we were super on top of making them cool, then we got preoccupied with other projects and let one of the performers take charge of the production and design. The result was that the aesthetic changed and, for whatever reason, the choices she made turned it… less cool. We were surprised we dodged the hipster-snark bullet for the most part on the first batch, but as soon as we took our eyes off the project it was targeted for internet ridicule. Now, to be fair, it kind of deserved a lot of the ridicule… it was the weakest video in the line and the style was a mess. So I have no problem with the fact that it was criticized. But the snark quickly got out of control. In The Onion, Amelie Gillette and her readers called the girls “beefy-thigh indie whores” and went on to say:
- “at least two of them are on heroin, the rest are on crack,”
- the instructor “should have been sold into white slavery when she was 6,”
- and the cast should be “date-raped, murdered, and thrown in a dumpster.”

I mean, jesus christ, whatever happened to Thumbs Down?

I could spend pages and pages recounting the ridiculous verbal sludge I’ve seen thrown at our filmmakers and performers, but I’m not feeling very Sisyphus right now. Again, there are plenty of perfectly fair critical assessments that, while I may not agree, I respect their validity. Then there are the kinds of ad hominem attacks that make you envy Hillary Clinton for the comparatively kid-gloved treatment she received in the primary last year.

But none of that is the point of this blog post. The point of this blog post is sales.

The filmmakers & performers getting kicked in the balls & ovaries by hateful snarks always complain the same complaint “this asshole’s opinion is costing me money, making it harder for me to pay my rent, making it harder for me to feed my family with PERSONAL attacks because I must have somehow pissed him off… did I not sleep with him in high school or something??”

Yes, besides wounded egos, there is also business at hand and even those who can take a few emotional arrows still don’t like losing money and career opportunities based on some random person’s opinion. This is why gangsta rappers are known to stab critics over bad reviews (did you know Wordpress dictionary recognizes the word “gangsta” but not the word “Wordpress?” how awesome is that?)

So… after all this blathering, I’m finally ready to hit you with the twist ending to all this.

Do bad reviews, snark, and hateful blog posts cost filmmakers & performers money and career opportunities? Well, yes, they probably do.

Ok that wasn’t a very good riddle. BUT!

Do bad reviews, snark, and hateful blog posts cost FILMS money?

NO! THEY MAKE THEM SELL MORE!

Well, wait, let me clarify.

In the lexicon of the internet, let’s use a 1-10 star rating system to break down the analytics of a film’s critical reception.

- Movies that get mostly 3 through 6 star reviews (out of 10) are generally our lowest sellers.
- Movies that get mostly 7 through 10 star reviews are our lower midline sellers.
- Movies that get mostly 1 through 2 star reviews are our upper midline sellers.
- Movies that get mostly 1 star reviews or 10 star reviews are our TOP sellers. By far.

Why is this? Beats me. Would I hazard a guess? Sure!

First of all, nobody likes mediocre. People will watch a mediocre movie that’s on TV, but rarely will they run out to the store and plunk down good cash for a mediocre movie. So getting consistent 3-6 star reviews is death.

Why do 1-2 star reviewed films outsell 8-10 star reviewed films? I have no idea. We have a film that has a 91% Fresh rating on Rotten Tomatoes from over 30 reviews… it’s one of our lowest sellers. We have a splatter film that I’ve never heard a single positive thing said about and it pays the rent each month. My gut is that, for whatever reason, people rent the highly-rated films on Netflix (where we make no money) and buy the guilty pleasures.

Of course, it makes perfect sense that titles which consistently score 10s and 1s would be the top sellers, because they’re divisive. People argue about them, get mad at them, champion them… people CARE about them. This is why Rush Limbaugh and Keith Olbermann and Glenn Beck and Howard Stern are so ridiculously successful. If you’re not pissing someone off, then nobody cares.

Allow me to demonstrate: Let’s say you love the band W.A.S.P. (haha). Ok, you tell me “holy shit I love W.A.S.P.” and I say “yeah, they’re pretty good.” The conversation is over. You’re not going to champion them to me, nobody fights against lukewarm. But if I say “I fucking hate W.A.S.P., Blackie Lawless is a no-talent prick who should never be allowed in public with buttless leather pants!” Well, now we’re in an argument and we’ll start making some noise. Multiple that conversation a few thousand times across the internet and watch W.A.S.P. albums fly through PirateBay left and right.

Now, here is the flaw in the internet analytics system… if a movie gets 100 6-star reviews and a 100 4-star reviews, a website’s rating system will tell you it’s a 5-star movie. If a movie gets 100 10-star reviews and 100 1-star reviews, the website’s rating system will tell you it too is a 5-star movie. But those two 5-star movies couldn’t be more different.

Good reviews are better than mediocre reviews, but if you’re not getting bad reviews then I have two words of advice for you: try harder.

Share and Enjoy:
  • Print this article!
  • Digg
  • Sphinn
  • del.icio.us
  • Facebook
  • Mixx
  • Google Bookmarks

Comment on this Article:







Visit some of our projects

AdvertisementAdvertisementAdvertisementAdvertisement

Recent Comments

  • Ryan O: Great article. Or "post" as you kids call it these days. Esp...
  • Humble Mac User: Damn the popularity of the iPhone. I don't really give a shi...
  • vik: Good idea. Thanks...
  • Mike Jones: I hear ya... FCP7 is not just a profound disappointment, it'...
  • Pizzolo: Comic Con is kind of the inverse of a pregnancy test. Gen...

RSS Halo-8 news blog

RSS Godkiller news blog

Become a Member

Hollywood-2.0 features a new members-only section of Premium Content: actionable information on how to effectively Develop, Produce, Distribute, and Market your project. Click here for more information.

Premium Content

H2.0 the book – Chapter 1: The Producer-Marketer

July 9, 2009

H2.0 the book – Chapter 1: The Producer-Marketer

This is the first chapter of our work-in-progress book “Hollywood-2.0: An Actionable System for Developing, Producing, Distributing, & Marketing Your Project in a Changing Media Landscape.”
Chapter 1 is titled “The Long Tail of Death, The Evil Aggregator Empire, The Decline of Distribution, and You: The Producer-Marketer.” While we pride ourselves on this book’s commitment to [...]

Featured Stories

Sorry, Comics, But You’re Fucked

April 24, 2010

Sorry, Comics, But You’re Fucked

The iPad is great news for comics junkies who aren’t yet overstimulated by too much digital content and for comics creators who see their stories as loss leaders for movies and action figures… the rest of you are fucked.

Don’t call it a comeback, I’ve been here for years.

January 7, 2010

Don’t call it a comeback, I’ve been here for years.

I bailed on this blog in the middle of last year because I got too busy to think. I really was too busy to think for a while, then I just got lazy. But then Pizzolo busted my balls and said that people actually like this blog, and that I’m easier to deal with when [...]

There’s a bridge from the Internet to your TV–Steve Jobs & Bill Gates are the trolls under it

July 15, 2009

There’s a bridge from the Internet to your TV–Steve Jobs & Bill Gates are the trolls under it

It’s like if you and I wanted to hang out and there’s a perfectly safe path between our houses, but Steve Jobs and Bill Gates erected bridges and demanded we pay tolls and they spent millions marketing their bridges so we think we have to take them… but their bridges aren’t crossing a raging river, they’re just crossing a path that’s actually EASIER for us to take than their stupid bridges.

I’m an Internet Filmmaking Millionaire and SO CAN YOU!

July 3, 2009

I’m an Internet Filmmaking Millionaire and SO CAN YOU!

There have always been indie film snake oil salesmen. Back in the heyday of the 90s Indie Film Boom there were gazillions of books telling you how if you just sold your car, sold your blood, or sold out your family’s mortgage you too could sell a film at Sundance and be an overnight multi-millionaire. [...]

Making An Illustrated Film – Godkiller

June 30, 2009

Making An Illustrated Film – Godkiller

This week I’m back to work on “Godkiller,” Halo-8’s first Illustrated Film. An Illustrated Film is a highly stylized animated movie that mixes original graphic novel illustrations with motion graphics and dramatic voice performances to create an edgy new style of story telling. Its like Liquid Television meets Ralph Bakshi, allowing us to tackle stories [...]

Video Cinematic

Don’t call it a comeback, I’ve been here for years.

January 7, 2010

Don’t call it a comeback, I’ve been here for years.

I bailed on this blog in the middle of last year because I got too busy to think. I really was too busy to think for a while, then I just got lazy. But then Pizzolo busted my balls and said that people actually like this blog, and that I’m easier to deal with when [...]

Worm In The Apple

August 17, 2009

Worm In The Apple

Apple has long made a selling point out of its supposedly virus proof operating system. I vaguely remember running some version of Norton on my Mac based Avid’s back in the late 1990s, but that went away with OSX. I don’t know anything about the dissemination of malicious code, but I’ve always assumed that there [...]

Video Color Grading – The Sober Truth

August 14, 2009

Video Color Grading – The Sober Truth

My first year in Los Angeles, I spent 7 or 8 months as a Telecine assistant in the Valley. The shop was a really low budget operation without many clients, or much working equipment, and the colorist that trained me was a drunk. He would roll in sometime after 10:30 each day, and, teaching through [...]

Final Cut Pro 7 – I Want To Believe

August 12, 2009

Final Cut Pro 7 – I Want To Believe

It seems like I’ve been doing a lot of Apple bashing lately. There was my post about the American Cinematic Editors vs. Final Cut Pro, and a couple weeks before that I predicted the imminent death of Final Cut Pro. I’m not not coming down on the products they provide, but I do have a [...]

Brand Cameron

August 10, 2009

Brand Cameron

James Cameron made a big splash at Comic Con San Diego by previewing 24 minutes of Avatar for an eagerly receptive audience. Cameron has been hyping the 3D imaging technology behind Avatar for the last two years, only to spend the last 6 months tempering expectations in advance of the Comic Con preview. The preview [...]

Hollywood 2.0

Sorry, Comics, But You’re Fucked

April 24, 2010

Sorry, Comics, But You’re Fucked

The iPad is great news for comics junkies who aren’t yet overstimulated by too much digital content and for comics creators who see their stories as loss leaders for movies and action figures… the rest of you are fucked.

10s & 1s: Not Getting Bad Reviews? Try Harder.

October 15, 2009

10s & 1s: Not Getting Bad Reviews? Try Harder.

Good reviews are better than mediocre reviews, but if you’re not getting bad reviews then I have two words of advice for you: try harder.

The Curse of A FILM BY…

September 15, 2009

The Curse of A FILM BY…

There’s been a long-running debate on directors taking (demanding?) the “A Film By” credit on movie key art. I’m kind of indifferent to it. I personally don’t take the credit but that’s just me… hell, I’d prefer all my work be anonymous if I could effectively produce & market that way. So I don’t have a dog in this race, but I do have a unique observation on the whole thing…

If you can’t be the guest of honor, be the one who doesn’t belong there

August 23, 2009

If you can’t be the guest of honor, be the one who doesn’t belong there

In my opinion, there are two reasons to be someplace: be the guest of honor or be the one who doesn’t belong there.
Example: I was lucky enough to be included in the Horror Comics Into Film panel Peter Katz organized at Comic Con last month. At risk of hurting my fellow panelists’ feelings, I imagine [...]

All Marketing Is Local

July 31, 2009

All Marketing Is Local

Your job is to cultivate a core following that cares about your message and what you do, and will support you with cash-purchases and positive word of mouth as you create your body of work. That process cannot be outsourced to spambots and massmarket advertising, it can only be done one personal connection at a time. Only once you’ve built that support network can you potentially benefit from the wholesale-politicking of massmarket distribution.