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This is the first chapter of our work-in-progress book “Hollywood-2.0: An Actionable System for Developing, Producing, Distributing, & Marketing Your Project in a Changing Media Landscape.”
Chapter 1 is titled “The Long Tail of Death, The Evil Aggregator Empire, The Decline of Distribution, and You: The Producer-Marketer.” While we pride ourselves on this book’s commitment to [...]
I bailed on this blog in the middle of last year because I got too busy to think. I really was too busy to think for a while, then I just got lazy. But then Pizzolo busted my balls and said that people actually like this blog, and that I’m easier to deal with when [...]
It’s like if you and I wanted to hang out and there’s a perfectly safe path between our houses, but Steve Jobs and Bill Gates erected bridges and demanded we pay tolls and they spent millions marketing their bridges so we think we have to take them… but their bridges aren’t crossing a raging river, they’re just crossing a path that’s actually EASIER for us to take than their stupid bridges.
There have always been indie film snake oil salesmen. Back in the heyday of the 90s Indie Film Boom there were gazillions of books telling you how if you just sold your car, sold your blood, or sold out your family’s mortgage you too could sell a film at Sundance and be an overnight multi-millionaire. [...]
This week I’m back to work on “Godkiller,” Halo-8’s first Illustrated Film. An Illustrated Film is a highly stylized animated movie that mixes original graphic novel illustrations with motion graphics and dramatic voice performances to create an edgy new style of story telling. Its like Liquid Television meets Ralph Bakshi, allowing us to tackle stories [...]
I spent much of last week authoring the DVD for “POP SKULL,” a new release from Halo-8. Pop Skull is a manic, twisted, drug-infused and award-winning psychological horror film directed & co-written by Adam Wingard (“HOME SICK”), starring & co-written by newcomer Lane Hughes, co-written and co-produced by E.L. Katz (”AUTOPSY“), and produced by Peter [...]
I bailed on this blog in the middle of last year because I got too busy to think. I really was too busy to think for a while, then I just got lazy. But then Pizzolo busted my balls and said that people actually like this blog, and that I’m easier to deal with when [...]
I was warned in advance that my first trip to Comic Con San Diego would melt my brain. It doesn’t happen quickly, like some kind of high concept microwave brain laser. Rather, Comic Con melts the brain slowly, through a massive sensory overload and an unfathomably high degree of human interaction. Halo-8 collectively had a [...]
In my first year in Los Angeles, I spent 7 or 8 months as a Telecine assistant in the Valley. The shop was a really low budget operation without many clients, or much working equipment, and the colorist that trained me was a drunk. Most of what we did was one light dallies for low [...]
As Pizzolo mentioned a few days ago, the X-box 360 is not just a hot shit game console. Its also a robust media player, useful for playing back a wide array of video files on your TV. What does that mean for you? It means that you can download any number of video files (legally [...]
An interesting viewpoint from Variety’s Brian Lowry regarding the value of the Comic Con crowd as taste makers, and the event as a barometer for box office performance. Lowry calls this the “Comic Con False Positive,” claiming that a positive response from the devoted legions of convention fanboys does not equal automatic success in the [...]
Good reviews are better than mediocre reviews, but if you’re not getting bad reviews then I have two words of advice for you: try harder.
Josh Olson is an Oscar-nominated screenwriter… scratch that, Josh Olson is a typist who took someone else’s story written in graphic novel format and retyped it in Final Draft then rode its coattails to an Oscar nomination while his head inflated as big as his ass. He also has made it very clear that he WON’T READ YOUR FUCKING SCRIPT (but I bet he’ll read your graphic novel and offer to retype it for you).
There’s been a long-running debate on directors taking (demanding?) the “A Film By” credit on movie key art. I’m kind of indifferent to it. I personally don’t take the credit but that’s just me… hell, I’d prefer all my work be anonymous if I could effectively produce & market that way. So I don’t have a dog in this race, but I do have a unique observation on the whole thing…
In my opinion, there are two reasons to be someplace: be the guest of honor or be the one who doesn’t belong there.
Example: I was lucky enough to be included in the Horror Comics Into Film panel Peter Katz organized at Comic Con last month. At risk of hurting my fellow panelists’ feelings, I imagine [...]
Your job is to cultivate a core following that cares about your message and what you do, and will support you with cash-purchases and positive word of mouth as you create your body of work. That process cannot be outsourced to spambots and massmarket advertising, it can only be done one personal connection at a time. Only once you’ve built that support network can you potentially benefit from the wholesale-politicking of massmarket distribution.
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